Anatomi Humor Drama Tradisional Rudat di Lombok

Penulis

  • Muh. Syahrui Qodri Universitas Mataram
  • Muh. Khairussibyan Universitas Mataram
  • Syamsinas Jafar Universitas Mataram
  • Marlinda Ramdhani Universitas Mataram

DOI:

https://doi.org/10.15642/suluk.2024.6.2.112-127

Kata Kunci:

Berger, humour, rudat, Temu Karya

Abstrak

This research focuses on humor in the Rudat Temu Karya performance in southern East Lombok. Most previous studies only studied the story and value aspects of traditional Lombok drama performances, but failed to examine the aspect that is the main attraction for audiences, namely the humor aspect. Based on Berger's humor theory which divides humor techniques into four categories, namely language, logic, identity and action, this research examines the anatomical aspects of traditional Lombok drama humor which relate to the socio-cultural context of Lombok society. The data in this research was collected using interview and documentary methods. The results of this research show that the variations of techniques that are widely used are various humor techniques which include humor in language categories such as ridicule, theme and variations, insults, and puns (play on words). The most dominant technique used is the slapstick technique (rough jokes/jokes) which is included in the action category. Research on this aspect of humor shows that socio-cultural aspects influence the success of humor in rudat Temu Karya performances.

Unduhan

Data unduhan belum tersedia.

Referensi

Ajidarma, Seno Gumira. (2019). Humor dalam Kajian: Membongkar Penanda Zaman. Jurnal Prisma, 38 (1), 3—13.

Apte, L. Mahadev. (1985). Humor and Laughter: An Anthropological Approach. London: Cornell Univrsity Press.

Berger, Arthur Asa. (1993). An Anatomy of Humor. New York: Routledge.

Djamaludin, Ancok. Wawancara dengan Jurnal Prisma. Jurnal Prisma, 38 (1), 2019, 94—97.

Harnish, David. (2011). Divine Inspirations: Music & Islam in Indonesia. New York: Oxford University Press.

Ihsan, Nurul. (2017). “Revitalisasi Wayang Sasak sebagai Media Penyiaran Islam di Era Modern: Studi Sekolah Pedalangan Wayang Sasak Sesela.” Skripsi pada Universitas Islam Negeri Mataram.

Marijo, M. Okta Dwi Sastra F.M. (2019). Pribadi Orang Sasak dalam Teater Tradisional Kemidi Rudat Lombok. Jurnal Elementary, 2 (2), 34—38.

Marijo, M. Okta Dwi Sastra F.M., Wadiyo Wadiyo, Agus Cahyono, dan Suwardi Endraswara. (2023). Lombok Cultural Values in Amaq Abir Traditional Theatre. Proceeding in International Conference on Science, Education, and Technology. 238—446. Semarang.

Murahim. (2019). Dekonstruksi Makna dan Peranan Tokoh dalam Struktur Teks Kemidi Rudat.

Tamumatra: Jurnal Seni Pertunjukan, 1 (2), 83—92.

Murahim. (2011). Nilai-Nilai Budaya Sasak Kemidi Rudat Lombok: Perspektif Hermeneutika.

Jurnal Mabasan, 5 (2), 59—79.

Suprana, Jaya. (2019). Humor di Tengah Masyarakat. Jurnal Prisma, 38 (1), 112—121.

Wijana, I Dewa Putu. (2019). Wacana Kartun dalam Bahasa Indonesia. Jurnal Prisma, 38 (1), 14—28.

Diterbitkan

2024-11-30

Cara Mengutip

Qodri, M. S., Khairussibyan, M., Jafar, S., & Ramdhani, M. . (2024). Anatomi Humor Drama Tradisional Rudat di Lombok. SULUK : Jurnal Bahasa, Sastra, Dan Budaya, 6(2), 112–127. https://doi.org/10.15642/suluk.2024.6.2.112-127

Terbitan

Bagian

Articles