Sejarah dalam Genggaman: Arsip Audiovisual dalam Rekonstruksi Sejarah Islam
DOI:
https://doi.org/10.15642/qurthuba.2026.10.1.29-43Abstract
Historical research often faces heuristic limitations because it relies too heavily on conventional textual sources, which restricts the comprehensive reconstruction of the history of everyday life. This article examines the urgency of using films and audiovisual archives as primary and secondary historical sources that remain underutilized, particularly in Islamic historical studies. Focusing its analysis on documentary films, biopics, and historical fiction, this qualitative study employs a descriptive-analytical method. The findings indicate that audiovisual archives serve as authentic evidence that can visually represent everyday realities, spatial landscapes, and past emotions, thereby preserving society's collective memory. Despite methodological challenges, such as potential subjectivity, ideological bias, and limited property accuracy, the strict application of rigorous source criticism and cross-referencing with written documents can effectively maintain historical validity. Ultimately, integrating audiovisual archives supports historiophoty and applied history, breaking the rigidity of textual historiography while opening broader opportunities for public history democratization and alternative final project schemes for university students.
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